Coleman has been working professionally to create such convincing, absorbing illusions of life for almost a quarter of a century now. In that time, the 67-year-old artist has earned a stellar reputation in the world of western art, achieving along the way memberships in the prestigious National Sculpture Society since 1999 and the Cowboy...
Peter Fiore’s oeuvre is a work in progress—a visual coalescence of ever-growing knowledge, technique, and aesthetic ideals. Each successive body of work builds upon the last to reflect not only the current moment in his journey but also the accumulation of every one that came before.
Jacobsen’s penchant for painting on location also reflects his admiration for a long line of artists—landscape, figurative, or still-life—whose mastery was due, at least in part, to painting directly from life.
Several years ago, whenever artist Anne Blair Brown thought about her career, she felt blessed. She was represented by outstanding galleries, and her paintings were both selling and being juried into impressive shows. What more could an artist want? In fact, Brown did want more.
An exhibition opening to the public at the National Cowboy & Western Heritage Museum on Saturday, October 15—and debuting two days earlier with a roster of ticketed preview events—makes it clear that the roots of cowboy art not only spread far wider and deeper but also thrive today in abundant and varied forms.
These days Corbett works in a cozy log studio on a friend’s land almost 30 miles from the ranch beside the Clark Fork River where she and her husband live. Her subjects have expanded over the years from cattle-working scenes to other domesticated animals and North and South American wildlife, with horses remaining a...
Four gallery experts answer the questions most frequently asked by collectors.
Ainsworth’s canvases feature landscapes, waterscapes, and genre scenes, such as people gathering in bars. She incorporates plein-air sketches, photographs, and models as reference material, and she always creates a thumbnail sketch to determine design and values—what she calls the “thinking part” of her process.