Gradually, the artist found less and less satisfaction in merely “painting what I thought would sell.” That’s when he began turning back to the mostly American Indian-inspired figurative works that the East Coast gallery owner had warned him to avoid.
Cityscapes appeal to him, McClure says, because of the angles, shapes, and movement. The visual elements pose a direct contrast to pure landscapes, which, in his opinion, suggest more passive, flowing shapes.
Initially Timmons focused primarily on detailed, close-up imagery of horses’ heads and necks. Over the years her compositions developed and expanded to include the entire animal, multiple horses, and sometimes a horse and rider.