Show Preview: Altamira Fine Art: Tom Gilleon

Jackson, WY, July 12-24

Tom Gilleon, Altos Llanos, oil painting

Tom Gilleon, Altos Llanos, oil, 50 x 80.

This story was featured in the July 2012 issue of Southwest Art magazine. Order the Southwest Art magazine July 2012 print edition here, or purchase the Southwest Art magazine July 2012 digital download here. Or simply click here to subscribe to Southwest Art magazine and never miss a story!

Vibrant color is on the menu when 12 new paintings by renowned Montana artist Tom Gilleon are featured in a solo show titled Bears and Bulls at Altamira Fine Art. The title is taken from one of Gilleon’s new paintings, a nine-panel grid depicting Native American symbols rendered in the artist’s signature high-key palette. The gallery hosts an opening reception on July 12 from 5:30 to 7:30 p.m.

Bears and Bulls is Gilleon’s ninth show at Altamira, and gallery director Mark Tarrant couldn’t be happier. “Tom is one of the most gifted and original contemporary realist artists,” he says. “His compositions are always simple and direct, and he’s a master of color.” Tarrant adds that the artist’s uniquely spacious sensibility creates a contemporary tone: “He’s not a traditional western artist.”

Gilleon would agree. “My work is not high detail,” he explains of his brilliant, airy canvases. “It’s not so much about what’s in the painting but rather what isn’t.” The paintings in this show feature many of his favorite motifs, including Native American images presented in a new light. “In my teepee paintings,” he observes, “you don’t see meat drying, cooking utensils, old wagons, or camp animals.” Instead, their power comes from a strong, minimalist spatial sense and bold color.

Tom Gilleon, Bears and Bulls, oil painting

Tom Gilleon, Bears and Bulls, oil, 60 x 60.

In two pieces in the show—RED ARROW and LITTLE PLUME—Gilleon depicts full Native figures standing in profile or facing the viewer, surrounded by planes of color. “They almost look as though they’re floating,” he says. “I’ve taken away everything that would detract from them.” The absence of detail and expansive sense of space create an almost dream-like effect—an intention on the artist’s part. “They have an other-worldly quality,” he says. “We have enough great, traditional ‘western artists.’ Though I’m technically able to do a lot of detail, I choose not to.”

The show’s centerpiece, BEARS AND BULLS, recalls the iconic imagery of Andy Warhol’s pop art confections. The title also reflects a play on words. “Each panel has a bison, bull, or bear,” indicates Gilleon. “I’m fascinated by parallel universes. In the market today, bears and bulls are an important part of our day-to-day life. Bears were not a good element for Natives, either, but bulls meant clothing and food. I see parallels between our lives and their lives.”

Trained as both an architect and an illustrator, Gilleon worked for years in illustration, including contract work for the Walt Disney Corporation. “There’s a discipline in working in illustration,” he says, and he also cites that background as a source for his intense compositional sense and daring use of color. “I’m completely visual,” he adds. “I understand color and color theory. At the end of the day, you have to go with what looks right.” —Mark Mussari

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Featured in the July 2012 issue of Southwest Art magazine–click below to purchase:
Southwest Art magazine July 2012 digital download
Southwest Art magazine July 2012 print edition
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