Editor’s Letter

Clyde Aspevig, Wild Plum, Fort Smith, MT, oil, 24 x 30.

Editor’s Letter | Endless Beauty

When I first joined the staff of this magazine many years ago, I knew very little about the world of western art. My background was in journalism and writing, and my new boss—longtime editor Susan Hallsten McGarry—assured me that I would learn about the art world as I went along.

0516ThroughTheYears

Editor’s Letter | A Continuing Story

I’ve got to hand it to the person on Southwest Art’s staff—I don’t know who it was—who decided, early on, that it would be a good idea to put aside one copy of each issue to be protected for posterity in a set of bound volumes. Each of these heavy hard-cover books contains half...

A father’s portrait of his son: Andrew Wyeth, Faraway, dry brush, 14 x 22. The Phyllis and Jamie Wyeth Collection. ©Andrew Wyeth.

Editor’s Letter | Family Dynamics

Last month I got to see the wonderful exhibition Wyeth: Andrew and Jamie in the Studio at the Denver Art Museum. It was the first time I had seen so many pictures by Andrew Wyeth in one place, and the first time I had seen Jamie Wyeth’s work in person. As many other visitors...

Walter Ufer, Indian Entertainer, oil, 30 x 25.

Editor’s Letter | A Closer Look

Gracing our cover this month is a truly masterful painting by Walter Ufer called INDIAN ENTERTAINER, which was painted in 1926 and sold at auction by Bonhams last April for just over a million dollars ...