Peggi Kroll-Roberts quietly yet powerfully invites you to live in a world of simple, pure beauty with her clear, bright colors and hypnotically peaceful scenes. “I like happy, I like pretty, and I’m annoyed with people who think that pretty isn’t cool," she says.
Romona Youngquist’s paintings evoke a sense of homecoming
Greg Woodard’s sculpture continues to reach new heights
Our July cover artist Liz Wolf takes inspiration from nature for her bronze sculptures. Wolf's pieces are reminiscent of the minimalist, elegant stone works of Native American cultures and feel both primitive and contemporary at the same time.
This essay by Timothy J. Standring is excerpted and adapted with the permission of the Denver Art Museum. This publication accompanies the exhibition Daniel Sprick’s Fictions: Recent Work, on view at the Denver Art Museum from June 29 through November 2.
Stacey Peterson’s art brought her back to the Colorado mountains she loves
Gladys Roldan-de-Moras follows her heart to create beauty in a wanting world
Camille Przewodek has spent more than three decades assiduously learning what to do with colors, especially when she’s painting those she sees in the open air and she proudly describes herself as a “plein-air colorist.”
Howard Post portrays the West from a different, quieter perspective, capturing the more intimate view of the region that a lifelong rancher and cowboy experiences day in and day out.
Still-life painter Joan Potter left the mean streets of New York City to pursue her art in the southwest. “I thought the architecture was so unique in Santa Fe, after living in Manhattan, and the sky was this Mediterranean blue. It was beautiful,” Potter says.