As she has found her voice over the years, Offutt’s work has blossomed into something intensely personal and expressive.
A viewer can expect to see a range of subjects in his oeuvre—a Copenhagen shipyard, coastal Oregon, Zion National Park, or an outdoor market in Provence.
When she teaches, and in her own art, Erickson frequently returns to the important connection between what we believe—or what we think we should see—and what our eyes in fact take in.
Cultural discoveries, and the deep personal connections that come from learning about and painting Native American people, provide the impetus for Burdick’s career.
While many plein-air painters are highly skilled at portraying light and atmosphere, Obermeyer brings an unusual perspective on these elements to the canvas: The painter is also a pilot, having held a license for nearly 30 years.
The desire to share her experience of aesthetic pleasure with viewers has long been the driving force in Moyers’ art.
Smith renders his animal figures and surrounding landscapes with exceptional naturalism, each element tightly constructed and radiating the spirit of the moment.
These days, the seasoned artist draws and paints for the sake of exploration, of testing solutions to a visual problem until he finds resolution in the various shapes and hues that populate his experiments.
Survey even a small portfolio of paintings by Michele Usibelli, and—while you would immediately recognize the bold self-assurance of her composition, palette, and brushwork—you might find yourself hard-pressed to categorize her work.
Kunz quickly discovered that an important factor for expressing her authentic voice involved producing her paintings as series, in which she explores a particular location through as many as a dozen different works.