Today, on her canvases, the Austin artist brings touches of glory to humble landscapes and tumbledown structures around central and western Texas, celebrating everything from an old feed mill in Marfa to a shuttered Waco storefront.
In her own work, Farrier generally keeps things simple with large shapes and blocks of color, and she works in both pastels and oils, depending on what her subject matter calls for.
Min’s ensuing research so touched her that she embarked on a series of paintings that portray the experiences of early Chinese-American women immigrants, including stories of hardship and discrimination.
On first glance, it might seem like an incongruous assortment, but Guenevere Schwien’s hyperrealist still-life paintings of sleek motorcycles, tempting sweets, sunlit tulips, and holiday lights share a universally irresistible theme.
Painter Brooke Olivares never tires of portraying the kitchen in her grandmother’s home in the rural Sacramento Valley.
Mountains have always captivated Hudson, and not just as an artist. She studied medieval history and literature at Harvard University and devoted her thesis to their spiritual role in narratives. For Hudson herself, now 30, alpine country offers a quiet refuge.
Today, in her impressionistic portrayals of people, animals, landscapes, and interiors, the painter leaves behind traces of abstraction for viewers.
A self-described impressionistic realist, Hughes arranges his value patterns, colors, and overall design with a discerning eye.
In many ways the artist remains inspired by her California roots, and her paintings often radiate sunshine and warmth as a result, she says, but they also reflect the charm of the romantic era of painting.
In each petal she portrays, Averbach inspects the intricate crinkles and curls and amends the imperfections, giving every blossom its own distinctiveness as unique as a thumbprint or snowflake.