Emerging Artist | Ben Bauer

Shades of gray

Ben Bauer, Signs of Life, oil, 10 x 25.

Ben Bauer, Signs of Life, oil, 10 x 25.

This story was featured in the February 2013 issue of Southwest Art magazine. Order the Southwest Art February 2013 print edition, or download the Southwest Art February 2013 issue now…Or just subscribe to Southwest Art and never miss a story!

When landscape painter Ben Bauer views scenes filled with brilliant fall colors, he doesn’t zero in on Mother Nature’s amazing reds, oranges, and golds. Instead he focuses on the shades of gray that lie in between the eye-popping colors. So it comes as no surprise that his signature landscapes tend toward the tonal and have an ethereal, atmospheric quality. His seasons of choice: late fall, winter, and early spring.

Ben Bauer, White Bear Lake at Dawn (Winter) oil, 26 x 32.

Ben Bauer, White Bear Lake at Dawn (Winter) oil, 26 x 32.

The Minnesota artist received a top honor in Greenhouse Gallery’s Salon International show last spring for his painting SIGNS OF LIFE, which is also a good example of his affection for the gray side of scenes and seasons. “I love the greens with the violets that were just starting to fade away with the new growth coming in,” Bauer says. “And the gray sky makes everything moody and drew the painting together for me.”

The artist says he has felt tied to the landscape since he was a small child being raised in a family that saw nature as a sanctuary. As a youngster he was never without a pencil to sketch, and eventually he went on to study art at the University of Wisconsin in Menomonie—a school he chose because of its strong, progressive art program. He recalls that professors pushed him in directions he didn’t necessarily want to go, but he is now thankful for how they encouraged him to think outside the box and less literally.

Today he turns to landscape artists such as T. Allen Lawson, Doug Fryer, and Marc Hanson for inspiration. He says that by studying their work, he finds the encouragement to continue to stretch the boundaries of traditional landscape painting and blend it with a more abstract style. “I see things as simplified elements,” Bauer says. “I see a color, usually gray. I feel a mood. I feel emotionally tied to a particular location, and I am compelled to represent that through my voice as a contemporary landscape painter. I am trying to convince people that the things we pass by every day are beautiful.” —Bonnie Gangelhoff

Rehs Galleries, New York, NY; www.benbauerfineart.com.

Featured in the February 2013 issue of Southwest Art magazine–click below to purchase:
Southwest Art magazine February 2013 digital download
Southwest Art magazine February 2013 print edition
Or subscribe to Southwest Art magazine and never miss a story!

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